Gothenburg metalcore quartet Grayscale Season have released 'Exit', the third single from their forthcoming album The Weight of Things We Cannot Touch, out on 20th November 2026.
Watch the visualizer for 'Exit' here
Stream 'Exit' BELOW!
Pre-order The Weight of Things We Cannot Touch here
'Exit' is a song about survivor's guilt. It is addressed to someone who is gone, by someone who watched and did nothing: "I left you at home, left you alone" and, at the very end, "I let you face it all by yourself." Between those two lines is everything the narrator failed to say in time, advice offered too late and too cheaply, alongside a horrible awareness of what he was watching.
It is the least riff-driven song on the album, built so that the production and the vocals do the work instead. There are synths, violins and pads on it, and the detail to listen for is the arpeggio running in the background.
On the song, guitarist Richard Sörensen comments:
"This song had many riffs and parts that were scrapped. It started with merging two incomplete tracks. One had only Adam's vocals and an acoustic guitar, and the other was an almost finished metal track with blast beats and other weird stuff. What became the whole song is basically what used to be the end breakdown. It's very simple and more about letting the production and vocals shine than the riffing. This is kinda what it would sound like if we made an Emmure track."
Vocalist and bassist Adam Dahlman adds:
"I love the melodic riff Richard wrote that breaks up the heavy parts and serves as a strong bridge."
Grayscale Season have never sounded much like their hometown. Formed in Gothenburg in 2012 and independent throughout, the four-piece pair crushing low-tuned riffs with a fragile falsetto, because that is what it sounds like when someone performs strength while falling apart underneath it. They have toured the Czech Republic, Slovakia, Hungary, Germany, France, Belgium and the Netherlands, and played Helltown Festival in 2024. Press comparisons have run to Loathe, Deftones, Humanity's Last Breath and The Acacia Strain. The Weight of Things We Cannot Touch is their most direct record and their least resolved.
The album takes its name from a Japanese word. Yarusenai describes the sadness or anger you feel when you know exactly what is wrong and have no way at all to fix it, and Grayscale Season have built an entire record out of that condition. Across eleven tracks the narrator sees precisely what is wrong with him and stays in the wrong room anyway, conforms anyway, says the thing too late anyway. The album keeps looking for somewhere outside itself to put the grief, first in contempt for other people and then in the ground. Neither works. Only the closing track names something reachable, and what it grieves is not the loss of that thing but the years spent looking past it.
On the sound of the record, vocalist Eddie Lejhagen comments: "I don't think we really had a specific reference for how the album would sound. Melancholy is probably what I wanted the album to have a lot of, and I think we managed to pull that off. As for the screamed vocals, Deafheaven is probably a major inspiration - the desperation in it, but melancholic at the same time."
The Weight of Things We Cannot Touch was produced by George Lever (Loathe, Sleep Token), who worked with the band remotely while they recorded everything themselves, a first for them. The album was mixed by Buster Odeholm (Humanity's Last Breath, Bring Me The Horizon) and mastered by Seth Munson (Teddy Swims), with additional top line production and piano by Aurora Karme Nord.
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