Recently winning "Metal Album of The Year" at the GAMIQ awards (Gala alternatif de la musique indépendante du Québec) for their debut "Angry, Undead" released this past March on PRC Music, brutal death metal contingent THE FLAYING are paying homage to their hometown of Quebec City with the new music video 'Place du Parvis'.
The band explains:
"Place du Parvis is an important hub in Quebec city. It's an area in our hometown that's a very lively place that sees all social classes living side by side, for better or for worse. From the spray-painted back alleys to the churches, to the restaurants and household dwellings. We found hitting the street like a metal Beastie Boys posse was the best way to showcase our love for this track and hometown. Special thanks and shout out to Jannick Côté from Headcase Prods for filming and editing, Carl Méthot from HsProds for filming for being outstanding as always. Thanks to all of you for coming to the shows, supporting your bands and scene!"
The sophomore album "Angry, Undead" was released this past march via PRC Music. Working with Christian Donaldson of Cryptopsy at The Grid in Montreal, QC, the album is pure mayhem for their fastest and most brutal debauchery to date. The concept of "Angry, Undead" is an intricate one with each of the eight songs falling under a distinct axis: Chaos (social manifestations); Madness (individual manifestations); and Void (existential manifestations). It is brutal, instinctive, unique, and wicked, and is recommended for fans of Cryptopsy, Archspire, Suffocation, and Deicide.
Show Dates:
January 25 - Sherbrooke, QC - Le Murdoch - Sherbrooke Death Fest w/ Beneath The Massacre, Nervous Impulse, Holy Cost
Feb 15 - Quebec City, QC - L'Anti Bar
May 2 - Ste-Anne-des-Monts, QC - Microbrasserie Le Malbord w/ Brazen
Track Listing:
1. Ouverture Écarlate (0:35)
2. Disloqué (3:15)
3. Place du Parvis (3:53)
4. Genuflect (4:00)
5. Egocentric Predicament (0:44)
6. Elegy of Emptiness (3:41)
7. La Valse du Scorpion (4:18)
8. Angry, Unleashed (3:23)
9. Angry, Undead (5:34)
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